|
Your network of friends, artists, family and
acquaintances is your most important asset. But you shouldn't rest on
your laurels. You must keep meeting new people--people who can help with
your career.
How do you meet curators, critics,
editors, arts agency staff people and dealers? How do you make sure
you're on their radar screen? Most importantly, how do you do it in a
way that is comfortable for you?

Kren Bennett, Wish. 2004, acrylic and
graphite on
canvas, 18 x 18". ©The Artist.
|
Every so often I advise a client to
invite a critic, curator, or gallery dealer to coffee. After all, can
you think of a more amiable way to meet someone these days?
Recently someone replied to my
suggestion, "It just seems so drastic!" Well, she was right.
You must take big, bold steps as you are building your career,
reputation, and business. You can't sit back and wait for things to
happen. Below are some actions you can take to make meeting new people a
necessary part of your routine.
Let's assume that you have identified, as
you should, someone you want to meet--someone who would be helpful to
your career.
►Begin
by establishing in your own mind that you do not want anything
(immediately) from this person. You might want his or her opinions and
ideas, but you will not be asking them for a gallery or museum
exhibition or a feature article in their publication. It is far easier
to introduce yourself to someone when you're not asking for something!
That's why it's so important to meet people before you need to ask for
their help.
►Ask
everyone you know if they know (or know of anyone who knows) the person
you're interested in meeting. A personal introduction from a mutual
acquaintance is the best way to meet someone since the element of trust
is implicit.
►Attend
events at which this person might also be present. Ask someone to
introduce you or muster your confidence and introduce yourself.
►Add
them to your mailing list and send them postcards and introductions. By
the time you get around to asking for a meeting, they'll already be
familiar with your name!
The ideas below work best in tandem with
one of the two strategies above, but could also be used by themselves.
►Write
a brief letter of introduction and include images of your work or point
them to your Web site. This is best done on your nicest (professional)
stationery and sent snail mail. Surprise email isn't the best way to
introduce yourself.
►Call
and ask for fifteen minutes of their time. If you're skeptical about
setting up an appointment from out of nowhere, take a lesson from my
days working on Capitol Hill in Washington:
- Flatter them.
- Be informed.
If you call up a curator and say you'd
like to meet with them, but then go into the meeting without knowing the
curator's background or the exhibits they have curated, you're going to
look pretty silly and uninformed at your appointment. You want them to
do most of the talking. (People like to talk about themselves! They'll
like you more if you are interested in their work.) What you want to be
able to say is, "I loved the John Baldessari exhibit you organized
last year! What was it like to work with him?" (Of course, you will
have done your homework on Baldessari's work and will be able to carry
on a brilliant conversation.)
Be organized, dress nicely, meet them at
their office, be on time, and stay no longer than the amount of time you
originally requested. You can always continue the conversation later if
it's going well.
After you meet someone (whether it's at a
party or a scheduled appointment), send them a brief, handwritten note
thanking them for their time and/or interest. You want to keep your name
in front of them and show them you are a professional in every way. And
don't forget . . . send an additional thank-you note to anyone who helps
introduce you.
|