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DO THIS:
MAKE SURE IT'S NEWS
I receive more questions about pricing
artwork than anything else save the ever-elusive artist representative.
For that reason, I am today revisiting and updating an earlier issue I
wrote on the subject.
Let me say up front that I don't have the
magic solution to the pricing dilemma. The truth is, as you hear over
and over again, art is worth what someone is willing to pay for it.
I have noticed that artists just starting
out tend to price their work either too low or too high. They use low
prices because they want to sell work and create a market or they attach
higher prices because they are comparing their work to that of more
established artists.
The dangers in pricing your artwork too low are:
1) You end up not paying yourself enough
for the work you have done, the materials you have used and your
overhead costs.
2) You will find it difficult to raise
prices dramatically because the audience you created will no longer be
able to afford your work.
3) If and when you seek others
(galleries, retail stores, art consultants) to help sell your work, you
may receive only half of the sales price. Can you live with selling your
work for half of its sales price now?
Obviously, the danger in pricing your
artwork too high is that you price yourself out of the market. You'll be
perceived as too expensive and won't sell anything.
I've drawn up a list of 10 rules for
pricing your artwork. It's posted on the blog at http://www.artbizblog.com.
You definitely don't want to miss this one.
Robert Genn wrote an instructive letter
on this subject called "Pricing for Joy":
http://www.painterskeys.com/letters.asp?let=050705
And Mark Kostabi, the shameless
self-promoting gadfly, talks about pricing for emerging artists in his
ArtNet.com column: http://www.artnet.com/Magazine/features/kostabi/kostabi5-24-05.asp
You have to get your work out there and
test the market. Take the following into consideration: materials (some
are more expensive or valued more highly than others), time (pay
yourself an hourly wage), overhead costs, framing, size of work, and
sales commission (gallery or otherwise).
Stay tuned next week when I'll talk more
specifically about this business formula for pricing.
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