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Individual Consultations Writing and Editing
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Paving Your Career Path Setting Up
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Do This!
Artist Marketing Newsletter Focusing on Action Steps
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Current Issue:
June
20, 2005
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IN
THIS ISSUE
What's Going On:
Announcements /Classes
>>>Do
This: Move On
Artists Respond: What They Have To Say
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WHAT'S
GOING ON
: : Class: CHOOSING
THE RIGHT CAREER PATH : :
begins July 11
Are you cut out for arts festivals? Do you have to be stuck in juried
exhibitions forever? Wondering what an art consultant can do for you?
This class is an overview of many opportunities available to artists. http://www.artbizcoach.com/classes/path.shtml
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All Kinds of Finds and Tips. It's
updated almost every day!
This week:
►Stay
updated on key words with Google Alerts.
►Don't
have a Web site?
►Tools
for following up.
Find out more on the Art Biz
Blog: http://stanfieldart.typepad.com
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DO THIS:
MOVE ON
You have to start somewhere. Your career
might begin in childhood when a parent praises a class assignment and
hangs it on the refrigerator. You move on to making frame-able work for
family and friends and it gets seen in private homes. Everyone
encourages you, so you put your art at the local coffee shop. And you
keep putting it there--over and over again. Why not? It's comfortable.
Moving beyond your comfort zone is a big
step, but necessary if you want more from your art.
After the coffee shop, you might show at
bookstores, libraries, banks, and then enter juried exhibits. What I
have found is that many artists get hung up right about here. Acceptance
into juried exhibitions seems to be the be-all, end-all. But it's not.
There is much life after juried exhibits, and you need to know when it's
time to move on.
Juried exhibitions are great for building
your confidence and testing the waters. They're not usually great for
sales or exposure. (Yes, I know, there are exceptions.)
You need solo exhibitions for building a
more satisfying career. Even an open studio--when done right--can be
more beneficial to your career than the juried exhibition.
Always be thinking about your next step.
Is it gallery representation? A better arts festival? A two-person
exhibition at a non-profit space? Getting your work in a museum
collection?
Whatever it is, know when it's time to
move on. Only you can make it happen.
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KNOW THIS
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It takes a long time and deliberate steps to
build a career.
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THINK ABOUT THIS
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There comes a point in time when you need to
move on.
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DO THIS
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Move on. If you're stuck doing the same-old
shows, figure out your next action. If it's a big one that seems
overwhelming, take baby steps to get there.
Venue and sales opportunities are part of
your artist's marketing plan. Visit http://www.artbizconnection.com
to start an art-marketing salon in your area.
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ARTISTS
RESPOND
On the topic of confidence .
. .
Marianne Konvalinka wrote:
"I started painting at
40, taking lessons with a friend. One thing that's helped confidence is
seeing how all of the things I did before I found painting- gardening,
needlepoint, sewing, photography all fit in with and inform my art. If
you understand composition or color theory from growing a garden, it
translates to your art. It's also good to take classes or find a group
that you can paint with. An honest exchange of ideas does wonders. I
know that I'll hear when something doesn't quite work just as I'll hear
when something does.
"Doing local shows such
as emerging artist showcases at a Saturday market or a non juried event
in a park is a great way to see reaction to your art and gauge its
impact on people. You will also quickly learn that what you love is not
always what sells, and visa versa. The whole point of creating, for me,
is to share a view of the world and to move people. It's scary, but
putting your art out there and watching people react is the best way to
grow. It's so rewarding to see someone connect with something that I
created- talk about a confidence builder!"
See Marianne's work at www.gypsygalleryart.com
or www.greatwideopenart.com
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Todd
Misk, Boy and Fish, 2001.
Oil on canvas, 48 x 36 inches.
©The
Artist
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Todd Misk wrote:
"The segment on
confidence was something that I absolutely needed to read today. Being
an artist seems to be an isolated life - you make art alone usually and
then have to peddle it in a rather saturated market where you are told
more often than not that your work is not the work they are currently
looking for or they have an artist to do xy and z (the art subject
matter that you create.)
"To maintain confidence
is a constant process."
See Todd's paintings at http://www.toddmisk.com
Angela Treat Lyon wrote:
"Many people talk about
confidence but fail to realize that one must get over negative beliefs
and self-talk before being able to fully embrace real confidence. It's
pretty simple to do if you have the right tools, but can be hard
without.
"I teach people how to
get over fear and gain confidence by using a simple technique called EFT,
the Emotional Freedom Techniques. Send folks to http://www.EFTBooks.com
where they can get a free downloadable copy of chapters from my book,
Change Your Mind!--it contains enough info that they can learn how to do
it themselves. It's fast, easy, quite often, mind-blowingly
effective."
See Angela's art at http://www.Lyon-Art.com
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Copyright © 2005 Alyson B. Stanfield. All rights reserved. I encourage you to forward all or part of this
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