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Individual Consultations Writing and Editing
Ongoing Support Marketing Plans Classes
Paving Your Career Path Setting Up
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Do This!
Artist Marketing Newsletter Focusing on Action Steps
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Current Issue:
April
18, 2005
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IN
THIS ISSUE
What's Going On:
Announcements /Classes
>>>Do
This: Leave Your Mark
Tip / Find of the Week: Taxes for Artists
Artists Respond: Take a Hike
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The Do This! newsletter is sent only to subscribers. You
can subscribe using the instructions in the column at left. Instructions
for unsubscribing and changing your email address are
at the bottom of each issue delivered to your inbox.
WHAT'S
GOING ON
: : e-Class:
SETTING UP YOUR ART BUSINESS : :
Begins April 25
Need help turning your hobby into a serious business? This class will
get you organized and on your way. The four-week class includes an email
discussion group that has been pretty active recently. http://www.artbizcoach.com/classes/settingup.shtml
: : New
Book: CULTIVATING COLLECTORS : :
No more excuses for not having a
mailing list or staying in touch with your buyers and collectors. The
long-awaited arrival of the updated version of Effective Newsletters
& Mailing Lists is finally here! The new title reflects more the
purpose and content of the book. Mailing lists, email, telephone calls,
print newsletters, e-newsletters, and following up. They're all in here.
http://www.artbizcoach.com/books/cc.shtml
Artists who previously purchased
Effective Newsletters & Mailing Lists can request the new version
here: http://www.artbizcoach.com/books/ccrequest.shtml
: : Travel:
AUSTIN - FRIDAY & SATURDAY : :
I'm making a quick, last-minute
trip to the Texas capital this Friday and Saturday. Would love to meet
some artists for coffee--maybe Saturday morning at about 10 a.m. If
you're around and interested, please send me an email.
: : Announcement
: :
From this point forward, all
classes will be available only during their posted dates. I hate to
eliminate the "take them anytime you want to" aspect, but I
want everyone to have the best learning experience possible. They were
getting too large for me to be working with students in four different
classes at once. My focus has to be on quality, not quantity. Thank you
for your understanding. If you have previously contacted me about taking
one of these classes at your convenience, I will honor any promises
already made.
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DO THIS:
LEAVE YOUR MARK
Last week I discussed several rules for
your art career--relating them to rules for hiking. If you missed that
issue, you can find it here: http://www.artbizcoach.com/dothis/takeahike.shtml
Today I'd like to continue the analogy.
"Leave No Trace" is a motto for every person who enters the
backcountry. Whatever you bring in, whatever mess you make, clean it up
so that no one knows you were there. It's responsible stewardship of our
public lands. Another way to say it would be "pack in, pack
out."

Denise
Linet, Fragmentary Conversations III, 2004.
Fiber art, 32 x 41 inches. ©The
Artist
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But . . . today . . . I'm going to
encourage you to do just the opposite. When you're trying to make a name
for yourself, you must leave a trace. You can't run a business or build
a career by remaining anonymous or shying away from the spotlight. You
have to put yourself out there, take chances, and leave your mark.
If this isn't easy for you, you're not
alone. Very few people look forward to sticking their necks out. And
when you're trying to sell your artwork, the ramifications can be
personal. The ones who are successful will "Feel the Fear and Do It
Anyway." (Susan Jeffers' book, 1987.) They might not be
comfortable, but they know the actions they take will lead to
accomplishing their goals.
Most artists say, "That's just not
me. I like to be alone. I like to stay in my studio." Fine. You can
do that, but guess what? You'll be leaving no trace. No one will know
you were here if you don't tell them.
I know a little about this. I, myself, am
an introvert by nature. Every day I force myself to meet new people and,
more importantly, make sure they remember me. I get through it because I
have wonderful feedback from happy clients like many of you. That's one
of the most important reasons I was able to keep going in the first
year. Trust me, putting yourself on the line gets easier with time. I do
what I do because I believe in it. And, in order to be true to my
personal mission, I have to leave my mark.
Whether you decide to leave your mark in
the teaching, licensing, fine craft, or museum worlds, just do it. The
road might be rocky at times, but the rewards will far outweigh the
regrets you'll have if you don't go for it.
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KNOW THIS
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People won't know you're here unless you
tell them.
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THINK ABOUT THIS
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If you like to be a loner and stay in your
studio, that's fine. You might create some great art, but who will know
about it?
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DO THIS
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Leave your mark. You can start by making
sure your name appears prominently on all your marketing materials.
Unless you're a production artist operating under a DBA, your name
should be clearly visible in all of these places:
- On every page of your Web site. (Even
better, have your name be your URL.)
- On your letterhead.
- On your business card.
- With every email you send (full name, please!).
- On your telephone answering machine.
Art history is a history of individual
names, not of company names. Curators, critics, writers, and collectors
want to know your name. Make it easy for them.
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If you use Internet
Explorer or Mozilla Firefox, you can forward this page to a friend
by going up to your menu and, under "File," select
"Send" or "Send Page." Or just copy and paste
this URL into a message: http://www.artbizcoach.com/dothis
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TIP
/ FIND OF THE
WEEK: Taxes for Artists
Now that tax season is over, it's time to
get organized for next year. That's right: don't put it off! Take a look
at Riley & Associates, P.C., a tax site just for artists: http://www.artstaxinfo.com
Peter Jason Riley writes:
"Is Being an Artist a Business?
"The first hurdle visual artists
often have is the question regarding whether their 'art' is indeed a
business for tax purposes. The heart of this matter is whether the I.R.
S. sees the endeavor as a 'real business' or as a 'hobby.' Because the
artist's ventures often (sadly) yields losses, the question then becomes
when does the tax code determine an enterprise to be a true business as
opposed to a hobby."
Find out how the so-called
"hobby" rules affect you by reading the rest of his article
at: http://www.artstaxinfo.com/artists.shtml
ARTISTS
RESPOND: Take
a Hike
In response to last week's issue about
the analogies between hiking and your art business, Susan Masters wrote:
"If we keep our eyes on the ground
the whole way we might as well be mice on a treadmill. Yes, we have to
watch where we are going to stay out of trouble. And, it is just as
vital to pause and connect with our purpose, our inspiration, our reason
for being alive in the world. Look up from the trail, breathe deep the
beauty around us, and realize our oneness with our surroundings. I
absolutely know you do this, Alyson, you just forgot to write it
down."
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Copyright © 2005 Alyson B.
Stanfield, Stanfield Art Associates. All rights reserved. I encourage you to forward all or part of this
newsletter as long as you include the above copyright information and
this link: http://www.artbizcoach.com
. Internet
Explorer users can forward this page by selecting "File," then
"Send" then "Page by E-mail."
The
Do This! newsletter is sent only to subscribers. You can
subscribe using the instructions in the column at left. Instructions
for unsubscribing and changing your email address are
at the bottom of each issue delivered to your inbox.
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