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Art Marketing Action Newsletter
from Alyson B. Stanfield and ArtBizCoach.com . . .

April 3, 2006

Put it in Writing

As I go through each week, I find it interesting when common situations and questions arise among my individual clients and class members. This week's common theme seemed to be: put it in writing.

Steven Cousens
Steven Cousens, Altered Teapot. 14" tall.
Coleman crystal matte glaze.  © The Artist
http://www.stevencousens.com

Notice I didn't say "get it in writing." That relinquishes control to someone else. I'm for giving you as much control of your art business as possible.

When you neglect written agreements, you lose control. You might just be busy and not want to think about it, but, in essence, you are saying that the other person or the job is more important than you and your artwork. You need written agreements with:

  • Galleries that represent you
  • Venues that are hiring you to teach or speak
  • Museums that are putting your work on view
  • Arts festivals where you have a booth
  • Anyone who wants to license or reproduce your work
  • Government entities who selected you for a public art project
  • Photographers who take pictures of your work
  • Organizations you donate your work to
  • People who commission work (and model releases if you will be using an individual's likeness anywhere for your marketing)

And many others I'm sure I've neglected.

If these people don't have a standard agreement, the onus is on you to come up with something.

When you come up with a written agreement, I suggest you schedule a face-to-face meeting with the person to go over the contents. It just makes it a little friendlier and ensures that all parties understand what is being asked of them. Make two copies--each with original signatures. Put one in your file and give the other person the second copy.

I also think it's invaluable, before you get to the written agreement stage, to put your proposals in writing. I can say from personal experience that this has been one of the best things I've done in the last two years. I've written about it on the Art Biz Blog.
 


KNOW THIS It's up to you to put it in writing.
THINK ABOUT THIS How many times have you been frustrated with a situation or a client? Do you think it would have helped if you had asked more questions and spelled out your conditions before you started?
DO THIS Put it in writing. Every artist should have this book on his or her shelf: Legal Guide for the Visual Artist by Tad Crawford (Allworth Press, my Amazon affiliate link). He has also written one specific to crafts artists.

In it, you will find more legal forms than you will ever need. In some instances, they will be overkill. For example, you don't want a four-page contract filled with legalese for the portrait your doing for your cousin. A letter of agreement is more appropriate for that. Even though you're related, I still recommend an agreement.

 
©2006-09, Alyson B. Stanfield, Stanfield Art Associates, Inc.
alyson@artbizcoach.com