Get Organized
Online class begins tomorrow! Tuesday, November
7
Drowning in clutter? Can't find your bio when you need it? Don't know
what to do with that mailing list I keep telling you to update? This
class has loads of organizing secrets tailored just for the artists'
life. And it's only $99 for more than a month's worth of
getting-organized coaching. (I'm slowing things down for the holidays.)
Please join us!
Sign up now.
November 6, 2006
At my recent workshop in
Washington, participants seemed surprised to learn how intimidated
people are by art. When marketing your art, always remember that
most of the population in the U.S. grew up without an art education.
True story: I have a very dear (and very smart) friend who
didn't know that yellow + blue = green until the Ziploc came out with
the commercial stating so. It's not her fault. She had no foundation in
art or color.
I thought I'd spend this newsletter sharing with you some general
observations about art viewers. While unscientific, the list is based
on my ten years' experience as a museum curator and educator and on
research during that time. It is intended to get you to think more
about how you share with others and communicate about your art and art
in general. Here goes.
. Many, many people do not go to galleries or museums because they think
they don't know enough and they fear feeling stupid. They often think
original art is for an elite class and is too expensive for them.
They are afraid to form their own opinions for fear they would be based
on inaccurate interpretations.
. People who don't do it on a regular basis often think viewing art
is going to be boring. They are almost always surprised when they
find something to which they can relate. And they are even surprised
when there are nice people around who will talk to them about the art.
This is particularly true of art museums and galleries.
. Many people think abstract art is a secret code. The code is
between the artist and artworld insiders and isn't for anyone else to
understand.
. Young children love big, colorful abstract work. Older students
and adults are generally far more skeptical of abstraction. High school
students love realism and anything that tries to fool the eye.
. Some people will never change their feelings about specific works of
art or styles. However, most people will go to great lengths to try
to connect with an artwork, even if they don't like it upon first
viewing. They read labels and explanations in books and attend tours and
lectures. They will listen to what you have to say.
. People like to see themselves in the art. In other words, they like to
find things in art that relate to what they already know. This should
come as no surprise, but we often forget how we ourselves relate to
art and everything else.
. People, especially males, like to know how things are made.
. Men, too, like to talk about the dollar value of art and to try to
understand it.
. Almost everyone is amazed by your talents and devotion to your
passion. They often can't imagine living such a life and would love
to hear about yours.
ACTION STEPS TO TAKE
Know
This...
Everyone comes from a different background and has a unique agenda for
looking at art.
Think About This...
What can you say differently that would put more people at ease with
your art?
Do This...
Anticipate the reactions of art viewers and those who aren't typical
art viewers. Do something about it. Find some ideas on the Art Biz
Blog: http://www.artbizblog.com
Heard on the Art Biz Blog
Laura Lein-Svencner has been offered $300 for the use of
her image in a textbook. Is that a fair price?
Barney Davey, in his new blog, discusses the state of New
York's ArtExpo as a result of the impending move of Decor Expo to
Baltimore the following month. Anyone interested in the art reproduction
market must read this.
You never know how people are going to find your website. Read how I
found the Bathtub Art Museum online.
http://www.artbizblog.com
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TELESEMINARS
Teleseminars tackle big
subjects with expert presenters in a short period of time--all over a
phone line. You can read more about them by following any of the links
below.
How to Create an Artist Website that Sells:
10 Strategies the Serious Marketer Must Use
Tuesday, November 14 at 8 p.m. EST
So, you put your site
online. Now what? Are visitors coming as you had planned? How can you
make sure more and more people drop in and see your work online?
Self-described "software craftsman and art fanatic" Clint Watson shares
an hour worth of secrets he has learned in eleven years marketing art.
$14.95.
Sign up now!
Preview: smARTist Tele-summit
Tuesday, November 14
at 7 p.m. EST
This two-week
event in January brings all kinds of experts together to help artists
with their careers. And it will all be done over a phone line. Join us
for this special complimentary preview. Registration is limited, so sign
up soon!
Get the details and a free copy of “61 smARTips”.
Live Art Marketing Action Workshops
Please join me at these upcoming workshops:
November 11; Salida, CO
Find out
more.
Personal Note
As you read this, I am
back home after a weekend workshop in Wilmington, Delaware. I love the
energy of meeting and talking with artists in person and am grateful to
Leslie Kelso and
Brilliant
Studio for their invitation to present the workshop.
I am also deeply grateful to artist
Paula Christen
for organizing the workshop in Winthrop, Washington two weeks ago.
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