Art Marketing Action
Alyson's Weekly Steps for Taking Charge of Your Art Career
 Use Another Name

September 25, 2006

A couple of weeks ago, I wrote "Target Your Message," in which I encouraged you to buckle down and define a style that you can become known for. If you haven't read that issue, you can find it here.


Carrie Cahill Mulligan, hand-knit, embroidered hat.
©The Artist 
 http://www.carriecahillmulligan.com/

For some artists, the problem isn't that they don't have a style, it's that they have more than one. And they don't want to let go of either.

It almost goes against my grain to say this, but here goes. In situations like this, in which you have more than one style, you might find it beneficial to market your art with different names for completely separate bodies of work. I'm not talking about work that just contains different subject matter. You can make all kinds of art with various subjects (landscapes, portraits, sculpture, paintings) and still, somehow, have them come off as a cohesive body of work that looks undoubtedly like it was by the same artist. No, you don't need to worry about that. I'm talking about art that looks like two or more artists created it. It's in these circumstances that you might use separate names to market them.

The reason I say it "almost goes against my grain" is that I'm a champion of the heroic artist. As a student, I learned that art history is a history of individuals (as is history itself). It's critical to know the players by name and what their roles are. I counsel artists to use their own names for their businesses when they want to be well known. In my opinion, if you hide behind a business name or other name, your work seems less handmade, less special.

However, these days I'm no longer a student, but dispensing marketing advice. As a marketer, I know that branding is everything. If you don't send a clear message, you make it difficult--if not impossible--to be memorable. In today's crowded art market, you have to stake your claim and fiercely protect it.

Some artists use their real names on the artwork they consider to be more serious. It's the work they want to be their legacy. They might have another line of work that they consider more commercial or even one that isn't developed that they're testing. They either assume another identity for this work or create a DBA (doing business as) name.

If you've been struggling with the Artist's Split-Personality Syndrome (ASPS), it might be time to embrace your multiple personalities and give them each a name and their own space.


KNOW THIS Sending multiple signals to art viewers, buyers, and dealers creates confusion.
THINK ABOUT THIS Confused people usually move on.
DO THIS Consider using a second name for your artwork that looks like another artist created it. I'm not saying it's the only way to go about it, but it is an option that might work for you. This also means creating separate websites, artist statements, marketing plans, and so forth. After all, they're different. You must treat them that way.
 

UPCOMING WORKSHOPS
I'll be in Winthrop, Washington on October 21, Wilmington, Delaware on November 4, and Salida, CO on November 11 for all-day Art Marketing Action workshops. We'll be diving into self-promotion essentials that every artist needs to get ahead. Check out the details and come if you can!  See the details

FIND OUT WHAT'S ON ARTBIZCOACH.COM FOR YOU
Tuesday, October 10,
6 p.m. MDT
This is an absolutely free introductory phone call to all things ArtBizCoach.com. Yep, there's a lot on the website and I'll show you how to get around and find the stuff you need. I'll also tell you about my other websites and what you'll find on them that's new and different. The only thing you pay for is long distance.  More details and registration (5 seconds!).

 

THIS WEEK: 
Display system for your studio
FolioSnap for artists
Make a prosperity board and prosper

Find out more:
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